The Texas Chainsaw Massacre Part 2 was widely criticized at the time of its release for being too far removed from the original film. Not only was there hardly any killing (outside the opening sequence) but it also seemed to be embracing other genres: it mostly play for laughs and seemed to be trying for a bit of romance between Leatherface and his hostage, Stretch. But maybe Tobe Hooper had the right idea – was it ever possible to recreate the perfection that was the first film?
Certainly the pile of sequels, prequels and remakes suggest not. Making the same story over and over again just lessened the impact. So when it came to making an origin story for how Leatherface came into being, doing something other than a bunch of teens show up at the Sawyer house and getting massacred wasn’t such a bad idea, depending on what that other idea was…
Don’t hold your breath people.
Actually you would probably be dead if you had been holding your breath for this film. This was filmed a long while ago and then either sat on a shelf or went for reshoots. It doesn’t show it though. Unlike some recent messed up movies (cough, cough The Mummy) it is a well made and coherent piece of movie making. I wonder if this is down to directors Alexandre Bustillo and Julien Maury who made the masterful Inside and the wonderfully mad Livid. They are the main reasons any sensible horror fan would want to see Leatherface (outside just generally hoping against hope that there is still another good Texas Chainsaw movie to be made) and they do a good job as far it goes. The film looks nice, it’s relatively well paced and all the acting is way up above what you would expect for this kind of thing.
There’s one problem though, and it’s massive.
We begin with Ma Sawyer (played by a surprisingly restrained-for-her Lili Taylor) and her inbred family around the old dinner table. It’s the youngest child’s birthday so she gives him a chainsaw for his birthday and tells young Jed to chop up the chap they have tied to a chair. Presumably he is going to be the main course. After some shenanigans with a sheriff’s daughter Jed ends up in a mental asylum and we cut to ten years later. Now a bunch of patients escape the asylum and race across Texas with a nurse as hostage. As all of the mentalists have had their names changed we don’t know which one was once Jed and will become Leatherface, and that is basically the story.
The trouble with this is that it’s SHIIIIIIIIIIIIIIIIIIIIIIT.
Let’s ignore the fact that out of the potential Leathefaces, one is a girl, one so mouthy and obnoxious that he will almost certainly die first and a big hulk of a mute just screams red herring so loud we are left with one other character who must be it. So no mystery there then. The main problem is that whoever it is won’t act like Leatherface until the end of the movie, so you end up with a film about a character who isn’t that character. It’s just head-banging-against-wall dumb.
To mix things up a bit the girl and one of the men embark on a killing spree like a low rent Natural Born Killers but without that film’s wit and charm. I am being sarcastic here: I hate Natural Born Killers. Okay, without that film’s pseudo intellectualism and pretension. Yeah, that will do. Also there’s another bit of romance, this time between the kidnapped nurse and the other escapee who isn’t a giant mute, but this is almost as ridiculous as the one between Leatherface and Stretch in Part 2 but without the laughs. I mean I’m all for a bit of Stockholm Syndrome but these two potential lovebirds stretch all sense of reality.
There’s also an incredibly idiotic bit near the end when whoever-it-is is wounded in the face so his mother puts a leather harness around his head to hold the wounds in place. So he quite literally has a leather face. I almost knocked myself out I slapped my forehead so hard.
There is gore aplenty. I remember back in the eighties when as a blood thirsty teenager I craved a horror movie with a good splattering of blood and guts. This was especially tricky as the censorship board was snip happy with their scissors. I still like a decent, gory death in horror movies now, but the violence in Leatherface is somehow just depressing. Victims are sawn open, smashed through windows and have their heads caved in, all in lurid detail. But it’s all so miserable. There’s no showmanship to the violence, it just has a realism that is repellent rather than thrilling. Maybe it’s just me…
On the positive side… nah… forget it, I ain’t got one. It’s a really bad story, and as a prequel it means you know pretty much where it will end up, and it’s not worth the journey. And, you know… Leatherface with a leather face… Christ that’s stupid.